A sizable portion of “The Ruins of Noble Men,” my novella in Star Trek Vanguard: Declassified, is set nearly a decade prior to the current series continuity, when some of the characters served together aboard the Federation starship Dauntless. Because I wanted something to visualize while I was writing, I looked to the work of fan starship designer Masao Okazaki for inspiration.
Masao’s web site, the Starfleet Museum, is his personal interpretation of the design lineage for the ships that were first seen in the original Star Trek TV series. Because of the clear influence his work draws from Star Trek Production Designer Matt Jefferies, as well as the work of Franz Joseph Schnaubelt—the man behind the Star Trek Blueprints and the Star Fleet Technical Manual, two publications that fed my geek needs back in the early ’70s—I’m a longtime fan of Masao’s work. When David Mack and I developed the Vanguard series for Simon & Schuster, Masao was the guy I hired to design the space station, as well as the scoutship Sagittarius. Those interested in finding out more about Masao’s Vanguard work, as well as his aforementioned influences, Matt Jefferies and Franz Joseph, should be sure to check out Star Trek Magazine #35, which is out right now. In addition to containing features about those talented individuals, it also has some great articles by my friends and fellow Vanguard conspirators, Dayton Ward and Kevin Dilmore, and an excerpt from my story, “The Ruins of Noble Men.”
Which brings me back to my original reason for this post. To visualize the Dauntless while I was writing the story, I fixated on one of Masao’s designs from the Starfleet Museum, the Pyotr Velikiy. In addition to Masao’s various elevations, the ship page also had some great CG images, rendered by another fan artist, Thomas Pemberton. And when I was handed the honor of having my story previewed in Star Trek Magazine, I thought it would be fun to illustrate the excerpt with one of those renders, renamed and renumbered for the Dauntless. So I contacted Tom Pemberton, and to my complete surprise, he not only agreed to do it, he actually created an entirely new render of the ship from scratch, completely different from the ones on Masao’s site! How cool is that?
Star Trek Magazine published the image in monochrome to fit their overall design for the spread on which the excerpt appeared, but I wanted to share it here in all its original glory. Enjoy!