Today is Otherworld Editorial‘s second anniversary! In the days ahead I hope to make some long overdue updates to the web site, but in the meantime it’s fitting that I take a moment to express my gratitude to all those who have supported OE the last couple of years.
To the family and friends who have had my back, to the professional associates and acquaintances who have recommended my services and sent referrals my way, and to the wonderful clients who have entrusted me with their words…I thank you. Your faith has meant the world to me.
Between a gratifyingly steady stream of OE work and the end of my self-impoosed six-month moratorium on reviewing submissions at Tor, I’ve found little spare time for things like updating my web site the last couple of months. But seeing as it’s the weekend before Hallowe’en, this seems like a good excuse to post the pictures I took of some of the costume players prowling this year’s New York Comic Con.
Now, admittedly, cosplay really isn’t my thing. But I’ve come to admire the the passion and workmanship that goes into genre-themed costumes, and the festive atmosphere of a convention seems to amplify my appreciation, particularly if the players manage to push my nostalgia buttons. So here are my favorites from among the images I captured at NYCC. Enjoy!
Today marks the first anniversary of Otherworld Editorial. Yes, really! Believe me when I say no one is more surprised that OE is still a going concern than I am. What started as a dubious experiment to formalize my freelance editing services during a dreary economy has easily exceeded my most optimistic expectations, not only in the number of authors who have sought me out and retained my services, but in the tremendous satisfaction I’ve taken from the work itself. And as anyone who knows me will attest, I’m a pretty optimistic guy to begin with.
Even so, I’m finding I can’t quite wrap my head around the fact that Earth has made a complete circuit of sun since I launched OE.
Time speeds up subjectively as we get older. I first noticed this in my late teens. I realized that as one’s past gets longer, common temporal units of measure—months, years, decades—take up an increasingly smaller percentage of one’s total life experience, giving us the illusion of accelerating toward old age. But even though I understand intellectually that this momentum is all in my head, I now find myself taken completely off guard by how quickly this last year has gone by.
Partly this has to do with the inordinate number of career-related milestones I hit during this time. As interest in OE was gaining steam in late 2010, I made my TV debut as a featured participant in a Biography Channel special about the Captains of Star Trek; in late March 2011, I accepted a position on the editorial staff at Tor Books; in May I celebrated my 20th anniversary as a publishing professional; in June I mourned the death of Martin Harry Greenberg, who taught me the importance of giving unknowns a chance to shine; in July my first story in more than two decades was published; and in August I attended my first Worldcon, the premiere gathering of luminaries in science fiction literature, and the venue of the genre’s most prestigious award, the Hugo.
It was an eventful year. And throughout it all, Otherworld Editorial kept going and going, the proverbial Energizer lagomorph.
I’ve never been comfortable boasting of my accomplishments. It doesn’t come naturally to me. But I’m unapologetically proud of OE: it’s allowed me to connect with some pretty amazing and passionate people whose enthusiasm and appreciation for the services I provided has been, to me, the highest measure of OE’s initial success. And as thrilled as I’ve been with the number of clients I’ve taken on over the last twelve months, being told time and again that I’ve made a positive difference to the craft of these aspiring writers has meant much more, validating my belief that helping storytellers is the work I was meant to do.
So a heartfelt thank-you goes out to everyone who entrusted me with their words this past year—those who took a chance on me when there were so many other editorial consultants out there to choose from. I’m humbled by your faith in me.
That was Year One. Take your protein pills and put your helmet on. Time for another lap around the sun.
A sizable portion of “The Ruins of Noble Men,” my novella in Star Trek Vanguard: Declassified, is set nearly a decade prior to the current series continuity, when some of the characters served together aboard the Federation starship Dauntless. Because I wanted something to visualize while I was writing, I looked to the work of fan starship designer Masao Okazaki for inspiration.
Masao’s web site, the Starfleet Museum, is his personal interpretation of the design lineage for the ships that were first seen in the original Star Trek TV series. Because of the clear influence his work draws from Star Trek Production Designer Matt Jefferies, as well as the work of Franz Joseph Schnaubelt—the man behind the Star Trek Blueprints and the Star Fleet Technical Manual, two publications that fed my geek needs back in the early ’70s—I’m a longtime fan of Masao’s work. When David Mack and I developed the Vanguard series for Simon & Schuster, Masao was the guy I hired to design the space station, as well as the scoutship Sagittarius. Those interested in finding out more about Masao’s Vanguard work, as well as his aforementioned influences, Matt Jefferies and Franz Joseph, should be sure to check out Star Trek Magazine #35, which is out right now. In addition to containing features about those talented individuals, it also has some great articles by my friends and fellow Vanguard conspirators, Dayton Ward and Kevin Dilmore, and an excerpt from my story, “The Ruins of Noble Men.”
Which brings me back to my original reason for this post. To visualize the Dauntless while I was writing the story, I fixated on one of Masao’s designs from the Starfleet Museum, the Pyotr Velikiy. In addition to Masao’s various elevations, the ship page also had some great CG images, rendered by another fan artist, Thomas Pemberton. And when I was handed the honor of having my story previewed in Star Trek Magazine, I thought it would be fun to illustrate the excerpt with one of those renders, renamed and renumbered for the Dauntless. So I contacted Tom Pemberton, and to my complete surprise, he not only agreed to do it, he actually created an entirely new render of the ship from scratch, completely different from the ones on Masao’s site! How cool is that?
Star Trek Magazine published the image in monochrome to fit their overall design for the spread on which the excerpt appeared, but I wanted to share it here in all its original glory. Enjoy!
The third and final winner of the Star Trek Vanguard: Declassified Bookwatch is Julio Angel Ortiz, who sent me this photo from the Barnes & Noble book store in Salisbury, Maryland. Like the winners before him, Julio gets a free copy of Declassified signed by all the authors. Congratulations, Julio!
And to all the winners, I hope you enjoy the book.
Congrats go out to Tim Clarke, the second winner of the Star Trek Vanguard: Declassified Bookwatch! Tim snapped off this shot of himself picking up the book at the Borders Books, in Silver Spring, Maryland.
There’s still one more chance to win a free copy of Declassified signed by all four authors. Just go to your favorite bookstore, take a photograph of the book, and email it to firstname.lastname@example.org.