New York Comic Con
Comic Con has come and gone, and I am at once exhausted and invigorated. The weather in NYC was beautiful, which made for a fantastic turnout—they should hold the convention in October every year. Meetings, panels, and introductions were the order of the weekend, and judging from the sudden uptick in inquiries about OE in my inbox, it was time well spent. Also got to do some business on behalf of Star Trek Magazine—never a bad thing—and I still managed to reconnect with old friends and even geek out from time to time.
As always, the DC Comics booth kept drawing me in, as if it had its own gravity. Partly this has to do with the fact that I still have a soft spot for the DC Universe, and I get a real rush out of seeing what’s new, but mainly it’s because I still have a number of friends there from the days when I wrote its catalog, not the least of whom are folks like Syndee Barwick, Georg Brewer, Mike Carlin, Ivan Cohen, Vince Letterio, and Bob Wayne. I also got to hang with fellow DC alumni Bob Greenberger, Andy Helfer, Charlie Kochman, Maureen McTigue, and Stuart Moore. You’d think being immersed in that much deep history would make me feel my age, but honestly, it was just the opposite.
My buds, Keith DeCandido and David Mack, were rockin’ the BOOM! Studios booth, pushing their respective Farscape comics. In the Random House corridor, I learned that Dallas Middaugh, to whom I was introduced at Comic Con in San Diego something like sixteen years ago, now lives two blocks from my last apartment. (How’s that for small universe syndrome?) Also spent time catching up with Christopher Bennett, Greg Cox, Peter David, Mike Friedman, Glenn Hauman, Jennifer Heddle, and Aaron Rosenberg.
The costumes were impressive, though I didn’t have time to photograph nearly as many as I would have preferred. Some of the ones I especially liked are here for your enjoyment.
That was Friday and Saturday. Sunday I stayed home. There was no avoiding it, really. I was on deadline for Titan, which I’m happy top say I met. Now it’s back to work on my current round of editorial jobs, and my novella for Simon & Schuster. I can hear the clock ticking already….